WHY MOTIVATION MATTERS

WHY MOTIVATION MATTERS
by Laurie Schnebly Campbell
You already know that, no matter what kind of plot you’re building, it’s gotta be motivated by your characters in order to feel plausible. It doesn’t matter whether you’re doing an emotional plot or an action plot or both — what makes it work is the characters.

So what IS it that makes your characters do what they do? Or another way of asking that is, what makes anybody do what they do?

There are all kinds of theories of motivation, and they all boil down to the same thing.

We want to be Okay.

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Whatever it takes to be okay, that’s what motivates us.

Maslow talked about that, saying that to be Okay we first need Food and Water…yep, okay…Shelter…got it…then Safety…and in most books, those issues are pretty well taken care of. Sometimes you’ll get characters fleeing the murderer in the North Woods or laid off from the factory job, but food isn’t usually a driving motivation.

So we get into the next level of what people need to be Okay, which is Belonging / Acceptance / Love. Then there’s Respect of Others and Self-Respect, and finally there’s the drive to Be All You Can Be. Everywhere along that continuum, you’ve got some great motivators.

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And that matters, because it’s the motivation that makes a character interesting.

Some writers start with the motivation: “let’s see, a woman who’s motivated by the desire for adventure would be THIS type of person.” Other writers start with the character: “my heroine wants to sail to Jamaica, so that must mean she’s motivated by adventure.”

Either way works fine. And either way leaves you totally free to write any kind of story you want.

 

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Say, given this heroine who wants to sail to Jamaica in search of adventure, could your story be full of soul-deep emotion? Absolutely. Dizzying suspense? Yep. Heartwarming faith? Yep. Quirky humor? Yep. Spine-tingling terror? Yep.

It all depends on how you write it.

So in that case, why does the heroine’s motivation even matter?

Because it’s what makes her credible. Same as we can’t have pink-elephant aliens showing up in some 14th-century castle without sacrificing a bit of credibility, neither can we have this woman sailing off to Jamaica without SOME plausible motivation.

And that’s where it’s easy for us authors to fall down on the job. We love this heroine who’s rigging out her sailboat, we love that she’s going to Jamaica, and we know that on the way she’ll meet this incredibly witty sailor, there’ll be a pirate attack — oh, and the pirate ship will have a yellow parrot named Sidney! — it’s all taking shape. We KNOW it’ll work, because we can SEE this story.

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But it’s that dazzling clarity which can get us into trouble. Because our readers weren’t IN on this first glorious flash of inspiration. They can’t see that wonderful vision. All they see is a heroine rigging out her sailboat for a trip to Jamaica, and they have no idea why she’s doing it.

Unless the readers GET her desire for adventure, they’re gonna feel out of the loop. They might not know why the story isn’t working for them, but they’re missing her motivation.

And motivation is what makes a book memorable.

 

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For some writers, it comes so naturally that they never even question how their characters’ motivation will feed into the plot. (Which sometimes leaves them at loose ends, wondering what on earth can HAPPEN during their plot.)

For others, it’s more of a tack-on because their strength is in plotting. (Which sometimes leaves them wondering how to explain WHY this character did something that seems senseless but is actually integral to the plot.)

Either way, motivation is vital. And yet we’ve all found ourselves in trouble with motivation every now and then. So that’s my question for yoL6u:
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When was the last time you found yourself dealing with a problem character? Who was this person? What did he or she do? How did you resolve the situation?

Everybody here will be able to sympathize with such a situation, because pesky characters strike EVERY writer! And if 25 people post today, one of ’em will win help for all their future characters,with free registration to my “Plotting Via Motivation” class (at WriterUniv.com) next month.

Meanwhile, I can’t wait to see those pesky characters on parade — because it’s always a lot more fun to read about other people’s problems than to focus on our own. :)

Laurie, hoping today will be slow at work so I can check email sooner than lunchtime…but don’t worry if it takes a while to hear back; I’m definitely checking in!

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April 25, 2015: Lisa Kessler – Black Moments & Online Author Promotion

Black Moments:  Make Them Earn Their Happily Ever After

In our morning workshop, we will study “black moments” in well-known fiction and films, and then study your story ideas to craft a black moment that has your readers turning pages and holding their breath, hoping the heroes will earn that happily ever after. This will be a hands-on presentation with lively discussion and feedback on your work in progress or maybe a finished work that needs more impact at the end.

Online Author Promotion for the Digital Age

In the afternoon, we’ll be discussing new ways to find your readership and build your author brand. Facebook events, online street teams, author virtual assistants vs. publicists, and utilizing author newsletters will all be discussed and we’ll touch on reader interactions and take questions.

Lisa Kessler

LisaKesslerLisa Kessler is an Amazon Best Selling author of dark paranormal fiction. Her debut novel, Night Walker, won a San Diego Book Award for Best Published Fantasy-Sci-fi-Horror as well as the Romance Through the Ages Award for Best Paranormal and Best First Book. She currently writes the Night Series and Moon Series for Entangled Publishing.

Lisa’s short stories have been published in print anthologies and magazines, and her vampire story, Immortal Beloved, was a finalist for a Bram Stoker award.

When she’s not writing, Lisa is a professional vocalist and has performed with San Diego Opera as well as other musical theater companies in San Diego.

You can learn more at Lisa’s Lair

Meeting fee of $25 members, $30 guests and walk-ins includes lunch selected from a menu of three items during Saturday morning check-in. SPACE MAY BE LIMITED. Walk-ins are welcome, but whenever possible, please guarantee your spot by reserving on our payments page or by emailing reservations@tucsonRWA.org no later than 8 am Wednesday before the meeting  .

LUNCH ORDERS ARE COLLECTED AT 10am. If you plan to be late, contact reservations@tucsonRWA.org so we will be prepared to order on your behalf.

This event takes place at our regular venue, the Clarion Hotel, 4550 S. Palo Verde Rd., Tucson & will include a chapter business meeting.

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The Danger of a Single Story

I’ve heard several agents and editors say they are looking for diverse stories, multicultural stories, and always some of the authors around me, who are predominately white, shrink just a little.

I think most of us want to have diverse characters in our books, but we are wary of using offensive stereotypes or of stepping outside our comfort zones.

I hope this TED talk inspires you to expand your cast of characters.

 

http://www.ted.com/playlists/62/how_to_tell_a_story

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March 21, 2015 Special Event: Five Keys To Finishing Your Story


NOTE: This extended workshop takes place at the Visount Hotel (4855 East Broadway) from 9am-3pm. Cost is $45 members, $55 nonmembers. (See below.)


Do most of your stories start with a bang and end with a whimper? Do you have drafts with squishy middles and no “The End” in sight? Nancy Ellen Dodd is here to help with her workshop, The Five Keys to Finishing Your Story.

This interactive workshop will explain the basic concepts of story mapping and how to take your work to the next level. It will help you recognize:

  1. Where you are in the story development,
  2. Which voice to write in,
  3. How to punch up your characters,
  4. How to know where your story should begin,
  5. What you need to finish your story.

Nancy will talk to writers in-depth on story writing elements and how to apply them more effectively to their individual work.

What You Will Learn:

Two individuals will be chosen to bring up to three (3) basic story problems they need to solve in order to finish their novel, short story, or screenplay.

Nancy will talk about ways to answer story problems. She will also give the two individuals feedback on their pages in a way that will enable the whole class to learn from the process.

About The Writers Compass:

Ms. Dodd teaches advanced screenwriting at Pepperdine University, and wrote “The Writer’s Compass: From Storymap to Finished Draft in 7 Stages.” This workshop includes material not in her book.

Instructor: Nancy Ellen Dodd

nancy-ellen-doddNancy Ellen Dodd is a writer, a university instructor, and an editor. She received her master’s in Professional Writing from the University of So. California with a concentration in dramatic writing/screenwriting and her MFA in playwriting at USC’s School of Theatre. Having studied writing for more than 25 years, Dodd currently teaches screenwriting at Pepperdine University for undergraduate and graduate students.

She also studied writing with several successful, award-winning writers: Pulitzer-prize winning playwright Paul Zindel; playwrights Velina Hasu-Houston, Oliver Mayer, David Milton, and Lee Wochner; screen and television writer Sy Gomberg; and international poet James Ragan.

Dodd has received numerous awards for her writing, which include screenplays, plays, short stories, short films, and novel-length works, as well as inspirational writing. She has also published more than 130 articles in local and national publications including interviews with celebrities and business leaders.

* * *

Please note that this is a special event and will not take place in our usual venue. This workshop is at the Viscount Hotel (4855 East Broadway) and there is no Chapter meeting this month.

Meeting fee of $45 members, $55 guests and walk-ins includes a sandwich-bar lunch. SPACE MAY BE LIMITED. Walk-ins are welcome, but whenever possible, please guarantee your spot by reserving on our payments page or by emailing reservations@tucsonRWA.org no later than 8am Wednesday before the meeting.

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